The Times - 3 stars 'Gorgeous in many ways, especially visually, yet dull in others, Eonnagata feels like a work that hasn't yet found its focus.'
The Evening Standard - 2 stars 'Eonnagata works as a reverse synergy, with the baffling sum less than its intriguing parts.'
The Financial Times - 'Eonnagata does not ultimately hang together and falls far short of a coherent show.'
The Independent - 'It can be beautiful, but it is a static experience.'
The Daily Telegraph - 'While never less than interesting, it is as if the admiration that each of the trio has for the others has blunted the clarity of their individual visions. The effect is attractive but blurred, an evening that is both too full of ideas and too short of the means to develop them.'
The Observer - 'You leave gorged with artifice - the lighting, the couture, Guillem's still-fabulous développé devant - but wondering what, if anything, lies behind it all.'
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