Music

The new Britney Spears album is out, and apparently it's good. The scary thing is that the Guardian goes as far as publishing a "In praise of..." section to her. "The new album is often brilliant. And what is most brilliant is its musical risk-taking (...) Pop is almost unique in having commercial successes who go on to use edgier sounds. In a small way, Britney Spears continues that long, chequered tradition." Who would have thought?

A big article on the Quebec band Arcade Fire in the Guardian too. Their second album is one of the biggest selling of the year. Here is one of the paper's explanation for their aversion to celebrity: "There is the shadow of the French Quebec pop scene, packed with artists unknown outside of its confines, but who apparently "sell as many records as Arcade Fire do worldwide, just in Quebec" [says the Arcade Fire singer]. "In Montreal, we're not celebrities at all, those people are celebrities," says Butler. Parry nods. "Occasionally, we've noticed that people are kind of surprised, like, wow, you've done really well, you're nearly as big as Jean LeClerc." HAHAHAHA

Some great fado singers will be at the South Bank Centre on Thursday. Let's hope there will be some tickets left on Wednesday when I get paid, otherwise, I won't be able to go.

Mariza - Royal Albert Hall - review

The portuguese singer Mariza was at the Royal Albert Hall yesterday evening for a memorable concert. Who would have thought that a fado singer could fill up this huge venue?

Wearing her traditional black dress with long black necklaces, she shared the stage with her musicians and the Serious string orchestra, directed by Brasilian composer Jacques Morelenbaum, who also produced her third album, Transparente. Joining her to sing throughout the evening were male fado legend Carlos do Carmo (her "master"), Tito Paris from Cape Verde (her "favourite African singer"), and Rui Veloso ("the biggest portuguese singer") So it was almost a "Mariza and friends" evening, really. It was also a true "atlantic wave" (as the festival this concert was part of is called) and some sort of "fado and its influences" night, since fado's roots are part Brasilian, part African.

It was fun to notice the difference between her and Carlos do Carmo, who has been a fado singer for 44 years (fado is only 200 years old). He moves much less than her (he is not as young, obviously!) and, when we started to clap at the beginning a song, he asked us not to clap "no no do not clap, you can sing with me, but certainly not clap, please". He still was an amazing performer, who won the crowd over with his humour and by singing traditional songs very well known in Portugal. As Mariza said "You can see why he is my master".

Tito Paris was a lovely little man, with braces and a cap, guitar in hand, shyly singing some sweet morna songs from Cape Verde, including Sodade. The audience was happy to join in and asked him to play a third song, when Rui Veloso entered the stage, to huge cheers from the Portugueses in the audience.





A big star in this country since the 80s, he was a surprise guest, as "I was holidays here, and she asked me to come and sing with her". He only sang Transparente and decided to leave Mariza alone to perform the other song he had written for her Feira de Castro.


Mariza was at her usual best. It seems like she can never disappoint live. Her voice is so amazing and powerful, she really uses it to its full range. Her stage presence is fantastic. I have filmed her singing without microphone at the centre of the Albert Hall. She has no fear, has she? If anyone on the balcony is reading this, could they let me know if they could hear her?
The Guardian talks about "a remarkable evening", The Times says the concert was "a coronation". You know what to do next time she performs near you!