Los Abrazos Rotos - trailer

It's not dance-related, but Almodovar is my favourite film director, and the man managed to include some Pina Bausch into one of his films - the guy has balls!

Almodovar's new film, Los Abrazos Rotos (Broken Embraces) comes out next week in Spain. In the UK later this year I'd imagine.

Plus below a genius short inspired by characters from the film - hilarious!

Chus Lampreave!

I love the Spanish actress Chus Lampreave, who appears in many of Pedro Almodovar's movies.

The only movie I've seen with her, by another director, is El Verdugo by Berlanga, and she is in there 2 minutes.

Pedro Almodovar gives her a well-deserved hommage on his blog. When I went to the Almodovar Q&A at the BFI for the release of volver, I wanted to ask him about Chus, but I wasn't picked. His recent post asnwers my question!

"Chus Lampreave is something more than a regular in my films. She’s an adorable person who still has a child’s innocence and capacity for surprise, even though her life hasn’t exactly been a bed of roses. She is the closest thing to the idea of an angel. A person who is naturally good. When someone like her crosses your path the best thing is to hold on to her and not let her get away for a long time. I always have a meeting pending with her, to talk, to feel her marvellous optimism and her enthusiasm at the mere fact of seeing each other and telling each other things (...)
When I offered her the role of Mother Street Rat in “Dark Habits”, her only objection was that she thought it too long, too important, and she should only do little, unimportant roles. Exactly the opposite of what any actress would tell you. Chus belongs to an atypical, wonderful race of actors who gesticulate very little. Or who don’t gesticulate at all, but their faces only reflect truth. I’m talking about geniuses like Buster Keaton, Totò, Bill Murray, Pepe Isbert, Robert Mitchum… Fortunately I managed to persuade her to play the role of the secret writer-nun in “Dark Habits”. Since then she is one of the most important emotional references in my life."

One of her best bits is obviously in The Flower of my secret. Almodovar talks about how they rehearsed it on his blog. Read it!

New Pedro Almodovar website/blog

Pedro Almodovar has decided to start a kind of blog to talk about whatever is his mind, particularly his next movie, Broken Embraces. He should start shooting soon, but doesn't want to reveal too much.

"I promise to tell only the truth, but that doesn’t mean I’m going to tell you everything about me and about the film and its preparation. On the contrary, I intend to say as little as possible about the story and the characters, I’ll wander around on the fringes, in purely tangential elements. You’ll think I’ve got a real cheek, and I’m sure you’re right. (Anything to celebrate the lack of intermediaries). I’ve been nurturing a dream for some time. I’d like that at least once spectators would go to see one of my films without knowing what it’s about. I know that it’s an almost impossible dream, but I’m going to try to get as near to it as possible. Still, I am going to show lots of images of the different processes, images that will be transferred directly from my camera to this page."

It's in Spanish AND English AND French, so no reason not to read it.

Almodovar news

Out in spain, an updated edition of the disc "Las canciones de Almodovar" (now called B.S.O Almodovar): 2 CDs of songs that appeared in his movies. The original version came out in 1997, so songs from Carne Tremula (Tonanda de luna llena), Todo sobre mi madre (Tajabone...), Talk to her (Caetano Veloso's Cucurrucu Paloma...), La Mala Educacion (Sara Montiel's Quizas Quizas Quizas...) and Volver now appear. I want it!

Pedro's new movie will be called "Los abrazos rotos" (Broken Embraces) and will star La Pe (aka Penelope Cruz) and Bianca Portillo. La película, en palabras de Pedro, "transcurrirá en los años noventa y en la actualidad, con el mundo de los negocios y del cine como telón de fondo y contará una historia de amor fou con tintes de cine negro del Hollywood de los Cincuenta". Ca promet! Shooting starts this month apparently.

Great bit from Almodovar's Matador

Hilarious, clever, difficult: genius!

Almodovar talks about the future

Very interesting interview of Almodovar in El Pais today.

On his absence at the Goyas (the spanish cinema awards): "I've been travelling more than my body can handle and I am psychologically saturating with award ceremonies. (...) The simple thought of seeing me sat down with a camera on my side broadcasting all my reactions was very uncomfortable to me. For once, I thought about myself, because, also, the film wasn't left alone, my brother [Agustin, producer] was there"

On Volver not being nominated at the Academy awards in the foreign film category "It was like a cold shower"

On his next film: "[Penelope Cruz] will be the character in La piel que habito, a film about vengeance. But I am also writing a movie full of intrigue about the movie world, about the manipulation of images. (...) For the first time in my life I feel tempted to do something about the spanish civil war or the post-war. I am doing research"

On working: "After 3 years of isolation, I am in a cycle of openness, both as a person and a writer. For the first time, I have spoken with someone - I keep the name to myself - about sharing my universe and my writing with him/her"

Spanish speakers, the full interview here

Volver wins plenty of Goyas

The Academy of Spanish cinema awarded Pedro Almodovar yesterday evening. His movie Volver won the best director, best soundtrack and best movie prize. Penelope Cruz won best actress, and Carmen Maura best actress in a supporting role.
Almodovar has always had a tempestuous relationship with the Academy, but, the night they love him, he isnt there! Oh well...

Pan's Labyrinth won most prizes though, and is up for more Oscar nominations, it must be said.

Spanish Goyas

The Goyas are Spanish cinema's own awards. Alastriste, Volver and Pan's Labyrinth (El laberinto del fauno) received 15, 14 and 13 nominations respectively. The competition will be fierce!
The award ceremony will be held at the end of January.

Gael Garcia Bernal at the NFT

Mexican actor, director and cutie Gael Garcia Bernal was at the National Film Theatre for a talk on Monday. I couldn't afford to go but that's alright, cause the Guardian has a transcript of the whole interview.

I recommend you read it all. He turns out to be a very politically engaged actor who is really giving all he has to make films with meanings and to improve his country's (Mexico) situation. Among other things, he has created his own production company and is launching a travelling documentary festival in Mexico, Ambulante.

Here are a few bits that interested me:

"It is truly impossible to take politics out of any story made in Latin America or Mexico. The place demands that you involve its history. It would be very disappointing not to use that wider scope. I think Y Tu Mamá También is a truly involved political film that will be more important in 10 years' time because it is a document of something that was happening in Mexico right after the fall of the PRI, the party that was in power for 72 years. So it is inevitable to be political and I must say it is irresponsible not to acknowledge it. It augments the fiction and it is there to be grabbed and used, without the politics having to be spoon-fed to the audience."

"[The Motorcycle Diaries] was a film where, if I'd been a bit detached from it, it would have been a useless experience. You had to give yourself and transform yourself as the two guys on that journey transformed themselves"

" I think that by working together is where Latin American cinema can find its place. I think we should work as a bloc: we share the same language - the case of Brazil is different, but we share the same circumstances and we might as well work together. You go to a film festival and you find one stand called Asian cinema - in Asia, they speak so many languages and the cultures are so very different, and there're more people and it's more diverse there. And then you go to the Mexican stand, the Argentinian stand, the Cuban stand, the Colombian stand and you're lost. We should work as a bloc"

"Almodóvar is one of those people who can give himself that luxury, he can start shooting any time he wants, he can hire any actor he wants. He's a great director. He's very specific - he tells you how many steps to take from here to there. If he says it's nine steps, you have to make it in nine. So that creates a tension, but it also creates a world"

"You asked about the nostalgic feeling in my work - well, that's the nature of it. There is this vision of Latin America as a place of pure celebration, but actually I see it as a cage of melancholy, but melancholy flies a lot and looks like a happy bird. Octavio Paz put it so well, it's a labyrinth of solitude."

"You might have an idea of what you're doing, but when you're on stage, you get lost. And that moment of losing yourself, of not knowing what the hell you're doing and thinking that you're going deep into a whirlwind and hoping that someone will catch you at the end, that is called a performance. That's when a director catches you, and that's when the audience acknowledges your leap of faith into something that's so incredibly unknown"

"I want to say one more thing before you leave, just one little thing. Whoever of you wants to be an actor, or film director, or writer or film producer or whatever. Honestly, I used to be sitting back there. I know this sounds like the biggest cliche ever, but it really is possible to tell a story and just go out and do it. Doesn't matter if only two people see it, doesn't matter if you get up on the stage and one of the lights goes out. It is important to tell a story and be faithful to yourself, be consistent. Just do what you like. So hopefully many people will go from here and do a film one day, even if it's in 10 years' time. I am very, very glad to be here and I'm getting very sentimental, but it's so important to me to be here. Thank you so much."